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[2]  Clarinet in Bb, Harp

Bland,Ed
Sex  Male
Comments   
One on One
Written  1996
Duration   
Comments   
Publisher  Osmund
Grade   
Comments   

Bouffil,Jacques-Jules (1783-)
Sex  Male
Comments   
Duo pour Harpe ou Piano forte et clarinette, op. 4, C minor
Written   
Duration   
Comments   
Publisher  Journal d'Euterpe
Grade   
Comments   

Brown,Newel Kay (1932-)
Sex  Male
Comments   
Two preludes for Harp and clarinet
Written   
Duration  10:00
Comments   
Publisher  American Music Center
Grade   
Comments   

Chien,Sansan
Sex  Female
Comments   
Music for Clarinet and Harp
Written  1994
Duration  ca. 15:00
Comments  5 short pieces based on paintings of Goya. The clarinet part of this piece uses much high register and a fair amount of fast note groupings. A variety of moods and characters are used. First performed at Indiana University, 1994. Contact Paul SanGregory/Sansan Chien (paul.sansan@msa.hinet.net) for music.
Publisher  SanGregory
Grade   
Comments   

Damase,Jean Michel (1928-)
Sex  Male
Comments   
Sonate
Written   
Duration   
Comments   
Publisher  Belwin-Mills
H. Lemoine
T. Presser
Grade   
Comments   

McKay,Neil (1924-)
Sex  Male
Comments   
Soundprints, variations
Written   
Duration   
Comments   
Publisher  Roncorp
Grade   
Comments   

Mourant,Walter (1910-1995)
Sex  Male
Comments   
Prelude and Dance
Written   
Duration   
Comments   
Publisher  Composer's Facsimiles Edition
Grade   
Comments   

Rossini,Gioacchino Antonio (1792-1868)
Sex  Male
Comments   
Cavatina ""Una voce poco fa"" from "Il Barbiere di Siviglia"
Written   
Duration   
Comments  Showpiece based on a well known aria from the opera. This work is essentially a transcription of the aria as opposed to being a fantasia.
Publisher  Hug
Grade   
Comments  Edited by Hans Rudolf Stalder.

Rossini,Gioacchino Antonio (1792-1868)
Sex  Male
Comments   
Variations for Clarinet and Piano
Written  1809
Duration   
Comments  Composed in Rossini's 17th year (1809), this delightful set of variations, written while a problem student of the dull teacher Padre Mattei, in Bologna, serves as an early example of the melody and invention that were to place him as one of the great opera writers.
Publisher  Artransa
Grade   
Comments  Edited by Mitchell Lurie.

Prepared on Sun Jan 8 22:06:04 2006